Yoga and Flow

Yoga and Flow

Flow Performance Skills Tips and Training

Learning how to find flow is unbelievably beneficial to yoga. If you practice yoga regularly, you may already be very familiar with finding the flow state but perhaps not been able to label it ÔÇô until now. The time when our thoughts merge with our mind, and we enter a bubble where we only see and feel what is necessary to the pose. The space in which an intense act feels effortless, as if for a few seconds we are simply watching our majestic body reach further, higher and deeper than ever before. The usual struggle and limits are distant noises, our attention is 100% immersed in the present moment, and when we emerge from this space we feel elated and surprised by what our mind and body have just achieved. For these precious seconds, we clear our cognitive functioning of the ego-driven automated patterns of thinking that typically limit our performance.

By valuing these moments, lifting them up our priority ladder and becoming a flow seeker, we awaken the mind to find these special moments more frequently. By prioritising a flow mind-set, we are naturally led to engage in more flow states due to its cyclical nature. By becoming aware of the opportunities around us to find flow, we can turn a routine yoga practice into an ideal opportunity to find flow.

The challenging situations in yoga are prime for inducing a flow state. During a yoga practice, our challenge-skills balance is always being tested. We might possess the abilities to hold a certain posture, but in order to deepen and improve said posture, our skills must be pushed to the point of ÔÇÿfailureÔÇÖ. As we attempt to deepen a posture, we become engulfed in what we are doing. If we are not, we fall out of the posture. In allowing this immersion into the pose, external distractions can disappear, past and future events are not considered, and the passing of time can become distorted. Sound familiar? We can become completely immersed in the present. It is here that flow is experienced, at the point where our skills are slightly inferior to the challenge, and where we perceive these challenges as opportunities to engage in positive risk, which fosters our growth, development, and improvement.

These moments feel so good they can knowingly or unknowingly bring us back to the mat again and again. But how do we reach this space called ÔÇÿflowÔÇÖ more frequently? Well, it starts by embracing a flow mind-set. Amongst many things, a flow mind-set involves understanding the experience and seeking it in our activities. We become a flow seeker. Embracing a flow mind-set encompasses focusing on the process and letting the outcome take care of itself. Flow is an autotelic experience; therefore, our desire for excellence and stretching our ability on the matt must be intrinsically motivating and rewarding, meaning we engage for the pleasure of the move ÔÇô nothing more. When this mind-set combines with clear goals, such as a clear understanding of the upcoming pose,, we enable our subconscious to develop a strategic plan of how we are going to achieve our goals ÔÇô minimising the need for conscious activity. This allows our mind to be present and visualise ourselves performing a posture to our desired level of excellence. As such, our mind is not consciously concerned about the result, and we become free to enjoy the journey. During this pursuit for mastery, our ability improves and we start getting excited about the challenges ahead, as we see them as our greatest opportunities to improve.

The mind-body connection that is so present in yoga is a vital component in finding flow. In this sense, engaging in yoga organically presents a gateway to finding flow. In turn, a focus on flow during our yoga practice gives rise to plentiful opportunities to improve, and more importantly, enjoy our yoga practice. This magnification of our mental state during our routine, allows us to pin-point the areas that need attention, obtain more relevant information and ignite our flame for yoga. It furthers our ability to achieve the purpose of yoga ÔÇô uniting the mind, body and spirit.

For more information on flow coaching or flow training or if you would like a flow workshop, please click here.

Authored by Cameron Norsworthy and Jack Hudson-Williams

Flow Interview- Ari Iso Autio

Flow Interview- Ari Iso Autio

Articles To Inspire Flow Performance Skills Tips and Training

Before we start, I would like to Introduce you to Ari;

Ari is a yoga teacher and co-own Lumi Power Yoga in London; His background is in business, in corporate. He spent 20 years as a management consultant, working around the globe. Then he discovered yoga, initially as a way to deal with burnout, and then he got hooked and got deeper and deeper into it, and eventually it took over.

He is from Finland and grew up on a farm.

Elena: When I was reading about yourself, you were saying that youÔÇÖre an unlikely yogi.

Ari: Unlikely yogi yes! I think thats right. If you had told me 10 years ago that I would be in this like having this kind of conversation with you, I would have said, You must be crazy, it just wasnt in my awareness. I was very focused on climbing the corporate ladder, and very logical, very rational, very driven and successful in that, and I always thought yoga was something a little bit weird. But then, as with many things, I got into yoga through burnout and just hitting barriers in my life; professionally I was hitting walls, I was going through a break- up, I was living in a different country, it all came together, and then someone said, You should try yoga, you know, one of those things where your friends say, You really need something, and I went, and before I knew it I was practically living at the studio, and it took over.

Elena: Amazing. When do you think was your first flow moment that you can remember?

Ari: I was reflecting on that question, and I can certainly remember When I started yoga, a few months in, I did what was then called a Personal Revolution Bootcamp, it was an intense week of yoga, and I remember I was new to yoga, and about halfway through I just remember this one particular practice where I really felt alive and present, and after the practice I remember just lying in a pool of sweat and just thinking, Im happy. Everything is just working, everything is good, and I guess I dont know if you call that flow, but that was the first sort of sense of me being complete, complete and full in the moment, like nothing was missing, and that really stands out. Since then theres been lots of different experiences, but thats what opened the door I think.

Elena: Listening to this, it sounds like one of the dimensions of Flow, the perception of time disapears. During the practice, you were like, ÔÇ£Wow, what just happened?!ÔÇØ like you mention, ÔÇ£I was covered in sweat and the activity was totally finished, but I didnÔÇÖt realise what was going on during the activity,ÔÇØ ?

Ari: Yeah, thatÔÇÖs right, and since then thereÔÇÖs been many different instances, but I think for me itÔÇÖs actually becoming more aware of what is happening with me. What yoga gives me this awareness and therefore I can probably recognise when I am in a flow and when IÔÇÖm not in a flow; I can put feeling, emotions, words, descriptions, distinctions around it, and I think thatÔÇÖs one of the big tools of yoga.

Elena: Being fully aware and fully present?

Ari: Yes, and being able to Flow can be quite conceptual, and it is a concept in a way, but its also a collection of different things that happened, and in order to see that those are happening, I can feel like you need a different level of awareness to notice whether its happening or not, and I think thats what yoga has given me; whether its me being with my kids, whether its me practicing yoga, whether its teaching yoga, whether its leading trainings.

Elena: I like what youÔÇÖre saying, and I totally feel connected and aligned with that. Because also one of the dimensions of the flow state is to be fully present, fully aware of whatÔÇÖs going on, and yoga, as you say, helps you with that. What would you say helps you to be in that state of full connection and awareness?

Ari: Well, I think actually the way I think of flow is that flow is an outcome and flow happens when a lot of things come into place, and so what helps me get into flow is conscious practice of those things that need to be in place. If I think of yoga practice, itÔÇÖs very simple: the more I come on my mat in a purposeful way and the more I practice the physical practice ÔÇô the more I practice my breath, the more I practice my gaze ÔÇô the more likely it is that I will then enter into a flow. ItÔÇÖs almost like those things have to be in place, because otherwise I will always be caught up in the technicality and in the doing of it, but worrying about ÔÇ£Am I doing this right?ÔÇØ

Elena: Yeah. ThatÔÇÖs another dimension, when the self-talk or self-consciousness disappears when youÔÇÖre fully present thereÔÇÖs no self-talk anymore, thereÔÇÖs no ÔÇ£Am I doing this right? Am I doing this wrong?ÔÇØ or that type of thought.

Ari: Its kind of I was thinking, flow is not It might feel easy in the moment when Im in it, but to get into it theres a lot of work that goes into it, to be able to be in that state, whatever the activity is. If I think of myself as a parent of two small girls, initially that wasnt a flow, that certainly wasnt a flow; I needed to learn and practice and figure out how things work, and then

Elena: Yes, so itÔÇÖs a process and itÔÇÖs also a choice.

Ari: Exactly.

Elena: Obviously you teach many students here in the studio. What advice would you give to them about being aware of the flow state and also how to get into that state? What do you think would be the top three pieces of advice that could help them?

Ari: Well, the first one we already covered, which is just practice; there is no substitute for it. The second one I think Flow, by definition, its from somewhere to somewhere, so having an intention for your practice. It might be for that practice in the moment, or it might be for that day or it might be for your life, like something that youre moving towards and consciously creating in your being, in your movement, in your breathing; its all there. And then theres maybe a final: there is practice and there is intention, and then theres something about just surrender, like being able to just let go of anything else and surrendering to what is, not aiming to make it perfect but

Elena: When you say surrender, you mean acceptance?

Ari: Yes, it is an acceptance, its a Its an acceptance that all of these things are happening right now.

Elena: Good advice. You were explaining your trajectory and how you started in the corporate worldand how you ended up here, as a co-founder of the studio. What would you tell to your younger self who was starting in the corporate world?

Ari: I would like to say a couple of things. One is Something about trusting my intuition more initially, to making things my own quicker, rather than feeling like I need to follow others or dothings in a certain way. Related to that, what I would say is life is short. Dont waste a second; get clear on what you want and move quicker towards it.

Elena: We were talking before about intention and setting goals, what you want to achieve and where you want to go.

Ari has a very calm and peaceful voice, you transmit a lot of calmness and tranquillity. Do you have any techniques that help to ground you, if youÔÇÖre stressed or youÔÇÖre doing multiple things at the same time? What do you do to calm down or relax?

Ari: Well, for me its the obvious things: its getting on my mat, its practicing, its breathing and itsmoving. The other thing I do is journaling and just reflecting, setting intentions in the morning, reflecting in the evening. It can be two minutes, it can be five minutes and it doesnt take long, but just That helps me get a grip of the day if you like, its a moment. The final thing I do a lot of is I walk. I know it might sound obvious, but I walk everywhere and also I sort of walk with purpose. I often listen to something inspirational, something that I can learn from, something that puts me in a good state, and I use every bit of time that I have. So when I walk tonight, when I walk from this studio home, I will have about 10 minutes and Ill put something inspirational, I will listen to someone talking to me, giving me something that fills me up and it kind of grounds me in Its kind of inspirational, but its I dont know, it just lifts me up.

Elena: What inspires you?

Ari: IÔÇÖll tell you the main thing that inspires me, and itÔÇÖs being able to make a difference in peopleÔÇÖs lives. Whether itÔÇÖs just someone coming to a yoga class and just having a 60 minutes time-out from their busy life, just time out, just space, or whether itÔÇÖs theyÔÇÖre going through something and that 60 minutes gives them a new angle on things or whatever it is, but itÔÇÖs just being able to give back what IÔÇÖve gotten from yoga and share that gift of presence, clarity, intention, and that inspires me. Yeah. ThatÔÇÖs what makes me get up in the morning.

Elena: ThatÔÇÖs your purpose?

Ari: Yes, it is.

Elena: I like it. Maybe you use the same techniques, but after long days or long practices or maybe sometimes stressful moments, do you do something to recover? Does yoga give you that recovery, or do you use other methods?

Ari: IÔÇÖm kind of a reflective type, so that helps me recover, my own space; IÔÇÖll quite happily go into a cave for an hour and that helps me recover. The other thing that helps me is being taught or trained or inspired by somebody else, like letting myself be a student and maybe going out todo a workshop or do a training, and getting filled up and recovered in that. Yeah, sometimes you just need to refill.

Elena: I donÔÇÖt know whether youÔÇÖd like to share anything else?

Ari: My teacher is Baron Baptiste and in his book he talks about flow, and thereÔÇÖs a sentence which I wrote down because I thought this was so spot onÔǪ He says, ÔÇ£Yoga is the point where many aspects of a person merge together in one flow towards some new point, the point where many aspects come together in flow towards some new point,ÔÇØ and I thought, ÔÇ£ThatÔÇÖs it.ÔÇØ ItÔÇÖs bringing the physical, mental, spiritual, all of usÔǪ When IÔÇÖm in practice or in flow or wherever, bringing it all together and then moving from there towards a new point. ThatÔÇÖs what we talk to in classes, flow, we call it Viny─üsa and itÔÇÖs one of the pillars of the practice.

Theres a lot of value in just flowing, like physically moving and flowing, without trying to get it right, like just and theres an energy that comes through in that and theres a release that can happen that way. The word flow has so many different meanings, but to me thats how it manifests itself on the mat.

I started to write down the characteristics of flow: theres presence and theres direction, theres purpose, theres clarity, body and mind integration. And sometimes its also At least for me, flow is Sometimes its imperfect, in the sense that I will go in and out of the flow. So its not necessarily this unique, blissful state thats always magical.

Elena: I agree, you cannot be 24/7 in that state, you can go in and out. The more tools you have or the more practice, you will get more into that. And in the end itÔÇÖs a choice, so if you also have that intention at the beginning of the day, you will see it more often.

Ari: Yeah. And its really being aware One thing is practicing on the mat Where Im doing a lot of work right now is training other teachers and running workshops and being in front of people and leading things, and being able to notice when Im in a flow with that I love that, like having the audience and being able to deliver my message and sensing whats going on and being in that flow, and its great to be able to bring tools physically of the practice into that.

ÔÇ£Am I breathing? Are my two feet on the ground? How am I standing? Where is my mindgoing to now? What am I focusing on?ÔÇØ bringing all of those things and being able to see that.

ItÔÇÖs like everything becomes three-dimensional and quite vivid when IÔÇÖm in that state. And then noticing also when I go out of that and I go into the ÔÇ£need to look goodÔÇØ or trying to say things in the right way and then stepping back. I just find it fascinating.

Elena: When was the last time you were in the flow state?

Ari: When I teach, I think thatÔÇÖs where I always look for a flow state. It was when I taught, two days ago.

Elena: ThatÔÇÖs good. Thank you so much!

Ari: Thank you! Good questions.

 

Thank you Ari for your time and wisdom, see you on the mat.

Flow Interview – Homero Diaz – Redbull Enduro Rider

Flow Interview – Homero Diaz – Redbull Enduro Rider

Enduro Flow Performance Skills Pilot Stories Tips and Training

Roaring around on a motorbike since the age of four, Mexican Enduro rider Homero D ¡az has built a whole life around the world of off-road, two-wheel racing ever since. HeÔÇÖd already won his first race by the time he was eight and is not only a three-time National Mexican Enduro Champion, but also a three-time Latin-American title holder.

We had the chance to interview him and know more about he gets into flow:

Cameron: I guess we start off with what might you know about flow, and whatÔÇÖs your experience is to date, and then maybe go into questions you might have around the state, and then go into a little bit about what we can do in the future, and the rest of it. Sound good?

Homero: Yep.

Cameron: WhatÔÇÖs your current understanding of flow? Can you explain a flow experience that youÔÇÖve had?

Homero: Well, Ive been thinking a lot about this since the first message that I got from you, and I think it relates to that moment Well, I guess the connection we have, you and I, is because of the sport I practice, right? So, I think the main thing about flow is that that moment when you stop when you stop seeing stuff and you start feeling stuff. Like, in my sport its during a special test or a track or whatever, and you feel more Like, the way you enter into a turn, or the way the bumps feel, or the jumps feel, or the ~rides~ or whatever; its more about feeling than seeing I guess, and it also translates into being on a slow motion I guess everything goes in slow motion, but it doesnt mean youre going slow; it just means that youre it comes into your brain really, really clear, that it makes you comprehend it really well. That way I guess thats the reason why you feel everythings coming in slow motion, because you comprehend it really, really well and so clear.

Cameron: Yeah. And can you explain a moment or a previous experience that you might have had, either at a tournament, or just you your biggest or best ever flow experience?

Homero: Probably whenÔǪ It comes up a bit more as a surprise when youÔÇÖre starting to become a better rider, and all of a sudden you start figuring it out. Now with more experience itÔÇÖs easier to get into that flow, but when I was starting to become a better rider, close to 2003 and 2004 when everything started, when I was racing ~the Worlds~… It would have been like on a very, very long special test during an enduro race, where it was [03:00] probably a 12- or 15-minute special test, which in our sport is a really long special test; a 15-minute special test is a really long one.

When you get out of the special test, and you say ÔÇ£Oh man ÔÇô it went through reall fast!ÔÇØ or ÔÇ£It went through really easy!ÔÇØ thatÔÇÖs when you understand that something happened. At that time I didnÔÇÖt know what had happened, but now with more experience I know that I had gone into a really good flow or a really good sense of concentration, and now I can get it really easy. But it takes time, itÔÇÖs not easy, itÔÇÖs not an easy process to get into that state of mind. So, probably during those stagesÔÇöusually I remember that the Scandinavian races were the ones that had the longest special tests all the time.

Like, a really short one was eight minutes and the really long one was a 15-minute special test. That took us about, I donÔÇÖt know, about 12-15 minutes to ride on the motorcycle. So, being on the same level of flow from the beginning to the end of the special test is really hard, and usually I used to get it from the mid-point on, but when you start getting it from the start to the end, thatÔÇÖs when you know that things are happening the right way, you know.

Cameron: Yeah, for sure. And what helps you get into that space? Is there anything specific that you focus on beforehand, during, after, or you kind of manage in your mind the motions, or externally?

Homero: Well, I guess being relaxed, and trying to focus on that exact moment, although what I like to do is just think on that precise special test. I dont try to think about the whole picture, I want to focus on that moment only, and then from that special test, when its over

Well, in our sport we walk the special tests before, and were not allowed to use any vehicle. Like a bicycle, we cannot use a bicycle to walk the special test  it has to be by foot. So, when I get to the special test now on the motorcycle, I like to focus on what I walked, what I saw, and then try to use little pieces of that special test, and then connect Like, if it was a 10-minute special test I would probably remember the first three minutes, and then from then on I would remember the second three minutes, and so on.

Because sometimes itÔÇÖs just too much information to learn right away, so when you know how to divide a whole in fractions, itÔÇÖs really easy to become one with the track and one with the motorcycle, and that way at the end you start flowing more and more. You know, as I told you before, itÔÇÖs hard at the beginning, at the beginning of a sports career, but then with more experience you learn how to connect each and every dot with more accuracy and more speed.

Cameron: So you break the course down into small little steps, remembering each one. Do you visualise whatÔÇÖs your perfect route between it, and then the next bit and then the next bit, and then add them up as you go along? Is that what youÔÇÖre saying?

Homero: Yeah, exactly. And the way I do it is I try to I try to relate little things which can make me remember the whole course. I dont know, lets say if I was walking the test with one of my buddies and he started all of a sudden talking about the party he had a few years before or one week before, I say Okay, this is this straightaway where we talked about the bar or the party. you know, and then we I relate that session to memorise the next thing. And then we say Oh, look at that tree  it looks like a bird! or whatever, and then I say Okay, okay  this is a turn right before the tree. and then we see whatever, or we hear a sound This is the downhill right before we heard the sound.

You start Its a bit Its a bit hard to explain, but once you start connecting all those little things that happen, all of a sudden youre going to remember a 12-minute special test; exactly where you need to break, where you need to ~stand~, where you need to accelerate, what kind of obstacles you need to avoid or what obstacle you can use to increase the speed on a little section, you know. Ive done many, many races all over the world, and I know how to relate to make it easy to remember.

Cameron: What do you do just before the race starts? Are you focusing on those small little chunks and visualising your way around the course, or what are you doing? Because obviously the heartÔÇÖs beating, youÔÇÖre getting aroused. What allows you to plug in?

Homero: Well Usually we talk about before a race as like 30 minutes before or so, but I like to talk about before a race the night before a race, which is one of the most important moments, because the way you sleep is going to be the way you race most of the time. So, when I go to bed before a race I try to remember all the little things that I saw during my ~walk out~, you know, and thats the way I fall asleep. I close my eyes and I start remembering the whole track or the whole course, and if I fall asleep before I finish the track thats good, thats no problem.

But you have to start getting into your racing mode before the race, and that way the next day you wake up and youÔÇÖre starting to get more ready and more ready and more ready. ItÔÇÖs like going into a room, getting ready. When you start getting closer you start feeling it; every step you feel it more and more, and you need to be more concentrated. I mean, most of the riders that I know, the professional riders, we get into a sense thatÔǪ I donÔÇÖt know, itÔÇÖs either you get more serious, or you get louder, or you smile more… It all depends on how you approach your race.

For example, I just get I mean, Im a Outside the races I like to be very smiley and a very funny guy and everything, but when the race goes, when Im starting to get close to the race its racing mode, and you get really serious, and thats when I guess thats sometimes when the people know you, they know you when youre racing, and they say Oh, this guy is really cocky, and this guy is really serious, or this guy is Because thats ~our office~, you know, thats what we do for work. Im going to work to the races, and Im just being serious, because I take it really, really serious. And thats a state of mind also, because thats Were used to getting serious when its time to work, you know.

Cameron: That kind of leading up to so maybe from 30 minutes until before you start, do you have any kind of preparation? Do you try and listen to music, do you try and zone out, do you try and have a laugh, do you just try and relax, or you focus on doing your equipment? Would you have a

Homero: No, I Most of the time I have rubber bands hanging on the canopies or the tents on our team, and I start warming up, doing a lot of moving. I usually start from the bottom up  ankles then calves then knees and so on until the neck  and Im I dont know, I have this idea that I need to start sweating before the race starts, and thats how I want it, thats how I want it to be. It helps me get in the mood a little bit easier. Im already having my muscles a little bit ready, my heart rate is a little bit up, and then everything starts to click in, and then You know, when I get to We put our bikes in [~3, 13:27] or the impound, we impound our bikes 30 minutes before, so we have those 30 minutes of free time to warm up or do whatever we want.

So, from the moment we impound I start doing all my warm-up, and I prep my goggles and everything I prep all that just to have something to do during my free time. And then once the race starts its just I mean, again, go with the flow, you know, whatever happens happens. But I try to concentrate on every special test, you know, I take it easy Like, when I go to special test one I remember special test one  thats it; I dont have to start remembering about special test two. Then when I get to special test two I remember only special test two. I like to divide everything by fractions. And then if were going to be doing at the end of the day 16 special tests, you know, its just that; just remember pieces, little pieces of the whole thing.

Cameron: And what do you do in the last 30 seconds before the lights go on, or youÔÇÖre ready to go? What are you focusing on, what are you preparing?

Homero: Well, I have a Like, every single time right before starting a special test I put the bike in neutral, and then I Let me show you what I do. [laughs] Im like this, and Im like I do my hands like this and I rub them, I rub my hands to create a little bit of energy that way, and that way I can Like, you know, if you start thinking more about energy and becoming one with your own self and all that, and especially when I was taught by my dad that when you do this you cannot be sad, you know. Like, if you go like this you always smile, and you create energy, so thats one of the things I do. I clap my hands, I clap my hands really hard, then I rub them, and then I start. And youll see me do that in every single special test from 2004 to today.

Cameron: Yeah, nice! Perfect ÔÇô thatÔÇÖs a really good cue!

Homero: Yeah. [laughs]

Cameron: Yeah.

Homero: Thats my Thats my secret! [laughs]

Cameron: Yeah  awesome! Have you ever tried to feel that energy? So, when you rub your hands, and then you keep rubbing them, and then just between Can you feel like almost as if youve got two different magnets pushing against each other?

Homero: Yeah, yeah, yeah.

Cameron: Can you feel that?

Homero: Yeah.

Cameron: So then do that, and then try and widen it and get it kind of bigger, and you might need to push in to feel that resistance, so almost you can feel that energy. Can you feel that?

Homero: Yeah, yeah.

Cameron: Yeah? And then try and get it big so itÔÇÖs like a football.

 

Thanks Homer for this interview

 

 

Flow Training – Maximising Performance in Rock Climbing – Case Study

Flow Training – Maximising Performance in Rock Climbing – Case Study

Flow Sports Tips and Training Videos

We are delighted to announce some great results on a recent study with rock climbers receiving flow training. The climbers received 4 different types of training over a 3 month period and the results far exceeded our expectations.

Below is Camille’s account of what happened. Camille is a budding adventure enthusiast who competes in a multitude of sports and a true inspiration. She runs a great blog for those wanting to see how she quit her job to focus on a life worth living: http://www.farandhigh.co.uk/

Over to Camille and her a piece, she wrote to go on her blog.

I was delighted when Cameron, the training coach from the Flow Centre, offered me to be part of the group of elite climbers selected for a case study on flow training.

Initially, I didnÔÇÖt know what the flow mindset was and it is thanks to the study that I learnt more about it.

ÔÇ£Flow is the optimal mental state that produces performance, creativity, decision-making and innovation.ÔÇØ

Flow is a psychological state we experience during our peak experiences and is behind many of the greatest athletic performances. It is the state when we perform at our best and feel our best.

As part of the study, the climbers were asked to complete the same indoor climbing route twice a week, time ourselves and then complete a questionnaire straight after each climb including questions on our performance and our flow state. We were also asked to rate our overall climb. As weeks progressed, we were provided with training and individual coaching sessions on flow.

camilee2

Throughout this experience, IÔÇÖve learnt some great tips on how to train your mind to get into the flow state and how to maintain that state. I thought IÔÇÖd share the most valuable ones to me.

  1. Motivation to perform

For me, motivation to perform is the biggest contributor to get me into a flow state, i.e. the desire to get to the top of the route. When the motivation is missing, my performance suffers. When the motivation is at its best and I truly want to reach the top, IÔÇÖm enjoying the moment and I give it me all.

  1. Total Focus

Secondly, finding focus is key to get me in the right state of mind. I need to completely shut down the outside world around me. For example, I need to ignore other climbers watching or shouting tips during a training session (sorry, I know youÔÇÖre only trying to help J). This is especially true during a climbing competition when I find the audience very unnerving and it makes me anxious. So I need to completely zone out my surroundings and forget about my ego, so I can totally concentrate on the task at hand.

  1. Be in the Present

To reach and maintain flow, I need to be completely focused on the present moment. I canÔÇÖt be thinking about anything else other than each move as it unfolds. If IÔÇÖm already thinking about reaching the top whilst IÔÇÖm only half way up, my mind is not in the present.

  1. Challenging Route

The climb has to be challenging enough for me to get into the flow state. If it is during the warm-up or an easy climb, itÔÇÖs not motivating enough for me to really be in the flow.

  1. Physical Readiness & Self belief

IÔÇÖve found that my perception of my physical fitness and readiness to climb a route has an impact on my ability to reach and maintain the flow state. If I feel physically ready and capable, then I feel in control and there are no limits!

  1. Fear of falling

When I have reached the flow state, I am so focused on each move that there is no holding back and I forget about the fear of falling (even in the dreaded overhangs!).

With the help of our coach Cameron, I have come up with my climbing mantra which I now repeat to myself at the start of each climb, and sometimes in the middle:

  1. Focus
  2. Precision
  3. Power
  4. Excel

Repeating the mantra in my mind has been very effective to help me get into the flow when everything seems to come together and I perform to my highest standard.

camille

To conclude, my personal results from the route I climbed during the study are:

  • Route: 14m 6C+ route
  • 1st attempt completed in 9min23s.
  • After having received the training and coaching on flows, I completed the climbing route on my 15thattempt in 2min10s.

Of course, once I knew my results, my first question was related to the fact that even without the coaching, my performance would have improved naturally just by the experience gained by every attempt and the increased memorization of the moves. However, this was minimised by having us only start the training and coaching on flows once our performances had plateaued and we werenÔÇÖt climbing faster at each attempt.

Finally, being part of the study and learning about applying flows for sporting performance was definitely eye opening and a great opportunity for me in the pursuit of following my passion for the sport and performing the best I can.

These techniques can, of course, be applied to any experiences in life. IÔÇÖm also currently working on applying these techniques to my running and learning to find the flow state during a run J So IÔÇÖve now created a mantra for running as well …

Flow Interview Lucy Hare – BBC Symphony Orchestra

Flow Interview Lucy Hare – BBC Symphony Orchestra

Flow Music Tips and Training

 

Lucy Hare is a double bass player, sitting in the world of classical world music. SheÔÇÖs played for the BBC Symphony Orchestra, the BBC Concert Orchestra, the London Philharmonic Orchestra, the Royal Opera House Orchestra, the Tango Volcano, and the Oxford Concert Party.

She will share with us her group Flow experiences, how she connects with with her instrument and with the energy of the room and some of her tips that help her to get into this amazing state.

 

 

Cameron: IÔÇÖm just going to ask you initially just to explain one or two Flow experiences, it can be either in training or performance, where you felt that youÔÇÖve hit that zone, youÔÇÖve hit that bubble, and you found a bit of freedom in that Flow space. So weÔÇÖd love to hear where it was, when it was, and some of the characteristics that happened during that Flow experience.

Lucy: Okay. The one that comes to mind, because Ive done so many different things with my playing obviously over the years, but one really comes to mind, which is a kind of group Flow in a way, but for me it was personal as well. It was at one of the Prom concerts, the London Prom Concerts in the Royal Albert Hall, and we were playing Strauss Alpine Symphony which is a massive work, it has alpenhorns in it and cowbells and an orchestra of about 120 or something, its an incredible piece of music. Its a great piece, its challenging but its playable for us, and there was a moment in the middle

We were playing it with the most incredible conductor, which isnÔÇÖt always the case, but this was a really wonderful, amazing Russian conductor, and there was a moment where the orchestra kind of felt we turned a corner, we all turned it together and there was this incredible moment of feeling as if the whole orchestra, so itÔÇÖs 120 people, were on the point of their toes and turned this corner together. For me afterwards, it was just this fantastic point of being completely with the orchestra, with the other people, but also completely one with my instrument and my technique and the room. Everything just came together in that spot, that moment, that sort of sweet spot in a way. So that was a very memorable case of Flow for me.

Cameron: Wow ÔÇô that sounds really fascinating! I talk a lot about jazz musicians finding Flow because of it being spontaneous and connecting with one another and feeding off one another, but itÔÇÖs really interesting to hear that you found that collective, group experience where you were almost on a tipping point. Was that something that happened a flip of a coin, or was that something that progressed a processed slowly? Did you feel like you were feeding off others, or was it a case of you were in your Flow and you found other people in a similar space?

Lucy: Yeah, really good questions. IÔÇÖm not sure what other people were doing, but I think if I had to choose one thing it would depend on really, it would really be the leadership we were getting at that moment, so the conductor, he took the time to let us turn that corner together. But I think itÔÇÖs not as simple as that actually, I think it came from also the sort of micro details, where everybody being in control of their technique and their ability to manage that moment technically on whatever instrument they were playing, and all kind of taking that point of poise in a way.

(…) And with music things like your tuning of your instrument, so everybody probably was playing really well in tune, thereÔÇÖs a kind of resonance that happens when everyone plays together and well that you donÔÇÖt get whenÔǪ It can sound together but it doesnÔÇÖt have that resonance if people arenÔÇÖt really hitting that sweet spot in a way.

Cameron: It sounds like as everyone else is hitting their sweet spot and the notes are, dare I say, perfect. You feed off one another, you hear it and it helps you up your game, and you get to that base where performing in that higher state is easier. Is that correct?

Lucy: Yeah. I think There is something about your antennae, about You have to obviously take care of your own technique, and that takes years and years and years of work, and hours every day probably, but then theres also something about your awareness about the person sitting next to you. We play in sections in an orchestra, so the section of eight double basses, then therell be the string section which is bigger again, so it kind of fans out, and then theres the whole orchestra. So you have all these different levels of awareness, and if they all come together, so both intonations  the pitch, the tuning  but also the timing Timing is such a fine art I think, and theres no I was going to say theres no exact science to it, I bet there is [laughs], it appears a very mathematical thing, but I think it has something thats much more magical than that actually. So I think all those things coming together. Yeah, so you have to kind of perfect what youre doing, but its a greater thing that perfection I think.

Cameron: So practically speaking, when youre in lets say at that moment, the moment youve just explained To me theres a lot going on there: you got the notes in front of you, you got the conductor, youve got your instrument, youve got where your fingers are, youve got the audience around you, youve got colleagues. Where is your focus? What are you focus on and aware on? Is it a case of you are hyperaware of everything and youre playing effortlessly? Or is it a case of youre actually highly focused on one thing, which is your notes and your Where is your focus and your awareness?

Lucy: ThatÔÇÖs a really good question. I would be really interested to hear the answer to your question from a sportsperson who plays in a team as well. I think my focus has to be everywhere actually. I donÔÇÖt know biologically if you can do that, but I think the micro stuff, so your own techniqueÔǪ your main focus has to already have been done on that, with your practice, your personal practice, then the rehearsals in the orchestra. (…). Maybe thatÔÇÖs partly what creates the moment of Flow is that you can lift it. It really feels like a moment of poise to me with the group thing, that you have that time of balance and you can go in any direction, and your concentration is wide as well as being very centred.

Cameron: Yeah. YouÔÇÖre describing the many paradoxes of Flow, where we feel out of control but completely in control, and action and awareness kind of merge, where youÔÇÖre feeling intricately a part of every second thatÔÇÖs going on, but at the same time itÔÇÖs almost as if someone else is doing the actions and performing for you. It is very much a paradoxical state, because biologically speaking the prefrontal cortex and the conscious mind is not really in charge of the functioning and the operation at that time, so theyÔÇÖre kind of the logical and critique side of our brains that wants to analyse that experience and understand whatÔÇÖs going on isnÔÇÖt in the room. ItÔÇÖs the subconscious thatÔÇÖs working that experience. And then when we come back to experience it, we look at it from a conscious brain as weÔÇÖre talking now and it tries to make sense of these things that would normally happen through the conscious brain. They feel and sound so paradoxical, but in the world of experiencing a moment and performing through the subconscious, itÔÇÖs a very normal experience to be looking at the minutiae but also taking in the bigger picture.

So, what out of the 9 dimensions to Flow I know youve had a quick look at them. What are the ones that really resonate for you in terms of practically finding Flow?

Lucy: I had a look at your list, and one of the main things is about level of challenge actually. Certainly with playing the bass, if thereÔÇÖs a level of challenge that is strong but not overwhelming, thatÔÇÖs key for me personally. If the challenge is overwhelming, IÔÇÖm kind of in my head, saying, ÔÇ£You need to do this, you need to play it this way, play it this way, youÔÇÖve got to prepare, youÔÇÖve got to get your elbow in the right place, your fingers have got to be strong, youÔÇÖve got to play this faster, you didnÔÇÖt practice this enough!ÔÇØ the little voice on my shoulder is going 100 miles an hour. So if the challenge level is strong but manageable and IÔÇÖve done the pre-work, then that is very likely to lead to a sense of Flow I think for me personally, not necessarily the group thing. So thatÔÇÖs really important.

And also, the other thing is we do repeat performances quite a lot if weÔÇÖre doing a show or dance work or something, so you might do 30 or 50 performances of exactly the same show and they want it the same every night (…) The danger there is that you get very bored, so then you have to crank up the challenge and obviously technically you canÔÇÖt because itÔÇÖs the same music. So I personally do that by imagining the situation to be more alarming or scary (…)That can sometimes give it a slightly different state ofÔǪ Yeah, very different state to the one I described earlier, a different state of Flow, but itÔÇÖs a kind ofÔǪ It then frees me from the boredom of whatÔÇÖs happening, and the repetition becomes almost like a sort of meditation, focusing in on each part but also then again being able to lift your mind away from it to other things and see the bigger picture. (…)

Cameron: Yeah, absolutely. And the challenge-skill balance that youÔÇÖve just discussed is one of the primary dimensions of Flow, and the applied elements to Flow that the Flow Centre has come up with, one of the elements is sufficient challenge. Us as performers need to take responsibility and manage that, whether thatÔÇÖs in our mind or the environment or the context, or playing around with our equipment to make it a little bit more challenging or less challenging, familiarising ourselves with it before a performance so weÔÇÖre not distracted by the nuances of a grip or this, that or the other, as IÔÇÖm sure you do when you get a new piece of equipment.

So what leading up to a performance, either these performances or other performances that youre thinking of Youve mentioned a couple of times youre lifting your mind, almost stepping up a gear into Flow if you like, so youre playing and the event is happening and then you move on. What, in your experience or opinion, helps that happen? So in terms of preparation leading up to the event, so the morning of, an hour before, and then during, how do you What do you focus on? What rituals do you use? Any tips that you can share with others that you might have adopted over time?

Lucy: I think the preparation for me is all done in advance really, so the practice and the learning of the skills and the deepening of the skills, and thatÔÇÖs done, as I said, the day before, the week before, but 30 years before as well. So, with ritualsÔǪ (…) I need to get my head backstage probably half an hour before a performance and keep it there in the interval, because if you come out itÔÇÖs strange, it disrupts the bubble in a way thatÔǪ that I inhabit anyway, I just talk about myself.

I think its probably quite common, but I only know for me, that you kind of inhabit this bubble during concert. And the minute its over, then its fine, you can do anything, but before it I need In a way its a quiet space. It might not be quiet orally, but its a quiet space inside me. And often we put our instruments on the stage before the concert so theyre already on there, maybe from the rehearsal or something, but a lot of people have their instruments in their hand to warm up with backstage; we dont have that luxury because our instruments are big. So its quite nice to make sure your hands are warm and clean and actually get them active Im sitting here while Im talking to you, squeezing my hands. If you have a juggling ball or something, its quite nice to have that, or just need something with your hands. So theyre kind of physical preparations, and the mental one is more about staying in that bubble really.

(…) So I suppose for me physicality brings me into the moment, and then that is more likely to create a sense of flow.

Cameron: Thanks for that ÔÇô really, really interesting. I know many people believe thatÔÇÖs the whole purpose of the body, to kind of anchor us to the moment. Our mind is always wanting to go into the future and the past, and itÔÇÖs staying with that breath, or, as you said, feeling your feet on the floor and back against the chair can really kind of bring us back into that moment where we can stretch time, as opposed to running into the future or critiquing the past. WeÔÇÖre coming to an end now, but a little golden nugget for any young musicians out there in terms of what advice you could give to them towards finding Flow, not necessarily as a career but finding Flow in their music when theyÔÇÖre practicing, when theyÔÇÖre spending the hours at home, burning their fingers away, practicing? How could you kind of say, ÔÇ£Maybe try this and that might lead you to more Flow experiences.ÔÇØ?

Lucy: I think one of the things, which we havenÔÇÖt actually talked about, is do something you love, and if that is playing your instrument, then do it; if itÔÇÖs not, then maybe look at doing something else, or do it in a way that you can love it. I think really one of the key things is practice, getting the technical challenges really nailed down as soon as you can. To a musician this will make sense: if thereÔÇÖs a piece of music, donÔÇÖt practice it from beginning to end. Look at the bits that are going to really challenge you and really focus on them, so that when it comes to it you know exactly what youÔÇÖre doing with your fingers and you can lift your concentration to what else is going on. So focus on the bits that you donÔÇÖt want to go anywhere near. I suppose that would be my key message.

Cameron: Perfect. Which leads me nicely to our closing question, which is for you what is you going beyond, what is a fear for you, either in your performance world or not in your performance world, where you feel is going beyond?

Lucy: I think for me just passion actually, to do something that IÔÇÖm passionate about and that stretches me, and actually I love doing those two things usually so my bass playing is that, and a lot of other things I do in life are things that fit those two things. Yeah, so passion and stretch probably.

Cameron: Okay ÔÇô thank you very much, Lucy! WeÔÇÖve had a fantastic conversation looking at all sorts of topics, from collective Flow to the challenge-skill balance, to integrating training and ensuring the biology and the muscle memory is all there. Lots of really interesting points, and weÔÇÖd love to get your opinions, any musicians out there, on LucyÔÇÖs comments, so please get in touch and we look forwards to speaking to you soon ÔÇô thank you very much!

 

Click here to listen to the full interview

 

We would like to thank again Lucy Hare for sharing with us her story and I would recommend to go and see her in action and feel that group flow experience that she talks about.

 

Flow Interview – World Champion Rock Climber Hazel Findlay

Flow Interview – World Champion Rock Climber Hazel Findlay

Articles To Inspire Flow Performance Skills Sports Tips and Training

Meet Hazel Findlay. Hazel has won multiple National Championships (UK) and is considered one of, if not the, best female climber worldwide. Hazel became the first woman to climb a British E9 (hard and scary!) with her ascent of Once Upon A Time In The Southwest, near Devon, UK. She has been recovering from injuries this past year but will no doubt be taking the climbing scene by storm when she returns.

 

Hazel is a great friend of The Flow Centre and continues to inspire us month-on-month. In one of our sessions with Hazel we got to ask her about here flow experinces

Cameron:
What was one of your biggest flow experiences?

 

Hazel:
It was actually on one of the smaller cliffs, but right up in the corner where it formed a right angle. I find that sort of climb really interesting because instead of using your hands and feet to find and grip holds, you basically have to push against each side of the opposing walls. Your hands are just flat against the rock, with no reaches to aim for, you basically have to only listen to your body position; you canÔÇÖt really let the rock guide you too much. ThereÔÇÖs no ÔÇ£Oh, IÔÇÖll reach that hold and IÔÇÖll reach for this hole kind of thingÔÇØ, you just have to get it exactly right for that next bit of upward movement. So Yeah, this particular moment at the top was just a classic flow experience, where itÔÇÖs just like, I was in this! You know the descriptions!![laughter]
It was really intense and it was just complete focus on every little movement. I remember the breathing being in time because the climb was really physical as well. I just remember the breathing intensified with each movement, using my whole core to stay in this corner of the rock. ItÔÇÖs funny, when I was in flow, it was like IÔÇÖll finish that little piece of rock and then I canÔÇÖt remember anything about what I did. Then when you get down, the other climbers will say ÔÇ£How did you do that?ÔÇØ and when IÔÇÖm in those flow moments IÔÇÖm like ÔÇ£Oh, IÔÇÖm really sorry, but I just donÔÇÖt know what I did, I just did somethingÔÇØ.

Cameron:
So what was it like in the experience? How did you approach the rock?

 

Hazel:
During the climb, it was like every time I put a foot on the rock I could see all the little features, my foot was exactly where it was supposed to go kind of thing. I think time almost slowed down, if anything. IÔÇÖve got vivid memories of my foot in slow motion, because there was so much detail in the moment, you know what I mean? I was just in a little pocket of time and space, me and that little of piece of rock like the only thing thatÔÇÖs there.
I donÔÇÖt know if IÔÇÖd go as far as to say I was an extension of the rock. But one thing I think happens when climbing is the movements are kind of binary. Like itÔÇÖs ÔÇ£right foot, right hand, left foot, left handÔÇØ, very specific movements that are all separate. ItÔÇÖs also binary in the sense that you either do it or you donÔÇÖt! But in a flow state, it feels like the movements arenÔÇÖt divided into separate moves anymore. You know what I mean? ItÔÇÖs not like youÔÇÖre moving from one movement to the next movement; itÔÇÖs all just one complete movement in flow.

 

hazel-findlay-big-sq

So, in that corner it was like I was moving up, and it wasnÔÇÖt this awkward ÔÇ£right-leftÔÇØ kind of thing, it was all just one fluid motion of the rock kind of thing. Am I an extension of the rock? I think itÔÇÖs more like what I was saying. The rock doesnÔÇÖt provide the sort of black and white challenge, like ÔÇ£I did that move or I didnÔÇÖtÔÇØ, or ÔÇ£I did that pieceÔÇØ. I suppose itÔÇÖs very much linked to the idea of success-failure, goal and everything. IÔÇÖve always found that when IÔÇÖm in that flow I totally let go of that desire to succeed and to do the route. IÔÇÖm just so focused on the next move and the next bit of climbing.
You know, when I start a route IÔÇÖm like ÔÇ£Okay, come on! You can do it!ÔÇØ ÔÇô You know, all that positive thinking is running through your head. Or if youÔÇÖre having a negative day it might be like ÔÇ£Oh, I feel like sh** – just give it your best shot anywayÔÇØ. Whereas when youÔÇÖre in flow, all of those ideas about yourself versus the rock kind of thing just fall away. So usually if IÔÇÖm in that flow, even if I fall off and I fail, I usually donÔÇÖt care because I know that I was climbing my absolute best because I was in that state. So it just doesnÔÇÖt bother me that I failed, because what more could I have wanted from that experience? Nothing, because I was doing my best. So, thatÔÇÖs why I love it so much!!

I always feel like itÔÇÖs the rock that forces me to be in flow. I never really feel like itÔÇÖs me, but maybe I should take some more ownership of it. There never seems to be a correlation between my thoughts and feeling and how I access flow. IÔÇÖve accessed flow on really bad days, when my thoughts have been totally negative and IÔÇÖm really unconfident. But then just something about the climb IÔÇÖm doing forces me into it. I can have good days and just access it for some reason, I donÔÇÖt know! I just feel like itÔÇÖs the rock!
I totally agree with this ÔÇ£skill meets challengeÔÇØ idea, because I really think it has to be quite hard for me to access flow. Sometimes I can access flow on easier grounds, but itÔÇÖs a bit like when youÔÇÖre driving a car. Often thereÔÇÖll be other thoughts going through your head, so itÔÇÖs not as intense and experience of flow. But itÔÇÖs the sort of thing where IÔÇÖm just moving up the rock and I might get to the top and not really remember anything about the climb. I was thinking about something completely different; thatÔÇÖs when the challenge is way below my skill set. IÔÇÖm not as good at harnessing flow during those climbs. I see other people climb much better than me on easier ground, but I tend to let my internal dialogue stop me from reaching flow on easy terrain. ThatÔÇÖs something I want to work on.

 

Cameron:
When do you most experience flow?

ItÔÇÖs being on the hard routes, on hard rock climbs. ThatÔÇÖs the thing about climbing on natural rock; no-one made it, no-one designed it. So really itÔÇÖs just chance whether that meets your skill set or not. So there might be a particular route where I might be in flow, but then I get to a section where I just canÔÇÖt reach the holds, IÔÇÖm not tall enough or strong enough or whatever, then IÔÇÖll just fail. IÔÇÖll snap out of flow; the challenge became too hard for me. So really, I feel like itÔÇÖs the rock that forces me into flow, because it just so happens that the rock, the way the holds are, the way my body moves, it just fits the rock.
I think itÔÇÖs strange; climbing is maybe quite different to other conventional sports. What often happens when you climb is that you get to a point where you can rest and you can think. So you look at the rock ahead and problem solve your way through it even before you do it. I think one of the keys to climbing well is to, in that restful position, consciously have a plan and problem solve, but then as soon as you start climbing try and switch into that unconscious state that weÔÇÖre talking about. Really let your body take control and use your subconscious mind. But you have to remember what your conscious mind was telling you to do. ThatÔÇÖs what makes climbing different.

 

The Flow Centre would like to take this opportunity to thank Martina for her time and energy.

Overclocking Yourself

Overclocking Yourself

Flow Performance Skills Tips and Training

 

Humans are compared to computers all the time. We both seem to be made up of memory, bandwidth and communication devices all processing at varying of speeds. Most notably, the human brain is often described as the most powerful computer in nature. So imagine the intrigue, when watching a lecture on flow, a question at the end came up: ÔÇÿwhen we overclock computer components they degrade faster, is hacking into flow just overclocking our bodies?ÔÇÖ Short answer; no. But letÔÇÖs dig a little deeper.

Normally when someone talks about overclocking their computer, they specifically mean the processor (CPU). (I wonÔÇÖt go into architectural detail of CPUÔÇÖs, as we would be here for weeks, but it is fascinating stuff if youÔÇÖre interested) It carries out all the complex calculations and keeps all the other components running in time with each other. It is essentially the ÔÇÿprocessing brainÔÇÖ of the computer. So the CPU has a standard ÔÇÿbaseÔÇÖ clock speed that it runs at, but with some computer witchcraft, you can make it run at a faster speed e.g. 3.6Ghz to 4.4Ghz, improving and potentially hitting its peak performance.

You might be thinking thatÔÇÖs no big deal, if it can cope with the higher speed, just run it at that. But this is the issue, and where our flow comparison comes in. In order to run at that higher clock speed, the component is stressed beyond what is the standard level and so degrades faster than if it was processing at the lower speed. This is how basically all man-made objects perform, if you push it further, it degrades quicker.

Digital Brain

So with all the similarities between humans and computers, does this mean that when we hack into flow, achieve a flow state more often than a normal person, peaking for longer periods, our body will decay faster due to the extra stress on its ÔÇÿcomponentsÔÇÖ? Well, no it wonÔÇÖt. Your body is not man-made, so to speak. When you train your body, it improves the quality of its components. Think of a tennis player. By training, they improve the condition of their body, allowing them to reach a flow state during their performance. This doesnÔÇÖt mean they have a shorter life or lose the ability to walk sooner than anyone else. If anything it gives them a longer and better standard of life into a late age as they are constantly improving the bodyÔÇÖs capacity.

However, one of the downsides of being human, and being very conscious beings, is that we cannot be in flow all of the time. So we are unlikely to ever really test this question to its entirety. So donÔÇÖt be scared to overclock yourself through flow. You will find that you are simply unlocking the potential you have always had; growing in strength and resilience, allowing you to go further than you ever thought you could.

Flow Interview – Chris ‘Douggs’ McDougall – World Record Holder – Base Jumper – Skydiver

Flow Interview – Chris ‘Douggs’ McDougall – World Record Holder – Base Jumper – Skydiver

Articles To Inspire Flow Performance Skills Quotes Sports Stories Tips and Training

When we went in search of the ultimate base jumper and skydiver, we expected to find someone extraordinary – someone who was used to pushing the limits and had the ability to freeze time. When we finally hooked up with Douggs he was everything we had been looking for and more. Douggs’ wealth of experience is nothing short of outstanding.

Douggs has felt flow frequently, in multiple arenas, and when he is not pretending to be Superman he is a motivational speaker, TV presenter, commentator, author, film maker, and stunt man. Douggs is one of the worldÔÇÖs most experienced BASE jumpers, respected both inside and outside the sport. He is a World Champion, World Record holder, and completed well over 3200 BASE jumps and 7000 skydives across more than 42 countries.

His list of achievements and highlights include: 2014 World Wingsuit League, China – 2013 World Record for most base jumpers jumping indoors – 2013 First ever BASE jumps in Kuwait from Al Hamra Tower – 2013 1st place in World Extreme Base Championships, Spain – 2013 1st place in Accuracy Competitions in both Turkey & China -2012 World first night human slingshot, Dubai – 2011 World BASE Championships, 2nd place -2008 UK ProBase ÔÇÿBritish OpenÔÇÖ: Overall Champion – 2003/04 BASE jumping World Champion: 1st place Aerobatics, 1st place Team, 1st place overall – Many expeditions throughout remote parts of the world including, Baffin Island, China, Norway, New Zealand & 37 other countries -1998 ÔÇô 2003, 6 time Australian National Skydiving Champion in 4 way and 8 way RW – 2001 ÔÇô 2003 Australian team member for World Championships – 2002 World Record: 300 way skydive – 12 Gold medals in various state events – and much more.

As you can imagine, our interview with Douggs was very insightful.

chrismcdougall-square-big

Chris:
In skydiving and base jumping itÔÇÖs (flow) called the zone, but IÔÇÖve never heard the actual technical term for it before.

Cameron:
Yeah, yeah. ItÔÇÖs called different things. Jazz musicians call it ‘being in the pocket’. Different people have different names for it, but everyone knows it when you talk about it. You know, itÔÇÖs that moment where weÔÇÖre completely engulfed and everythingÔÇÖs just at one, weÔÇÖre highly connected and time seems to pause, but then you come out of it and then time forwards winds, and youÔÇÖre like ÔÇ£Oh my God, what just happened?ÔÇØ

Chris:
IÔÇÖve written a number of articles it. ThereÔÇÖs no past, no future, thereÔÇÖs just this present. I call it the now.

ItÔÇÖs an incredible feeling. And once you submit to it, thatÔÇÖsÔǪ Like, when youÔÇÖre shaking on the edge or whatever, and then you commit and submit and take those three deep breaths then everything goes still and quiet, and then that beautiful silence that first second is just incredible…and then off we go, and then thatÔÇÖs when you hit it.

 

ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇô Chris on starting out ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇö-

 

Chris:
Base jumping has been the best thing ever for me because its allowed me to take everything Ive learnt in jumping and take it to ordinary life, which has just given me endless possibilities; theres no negatives, only positives. Theres only You know, the cups always half full now. I think thats the right one. [laughs] Do you know what I mean? Like, I was lucky I got into base jumping super early and found it, and it just blew me away. I mean, on my first skydive I still blacked out for over five seconds, you know, so my brain wasnt able to process that information at all.

But then I was intrigued by that, went straight back up and did another one. IÔÇÖve never been able to get that sensation again, except forÔÇöthe closest I ever got was when we did a human slingshot a couple of years ago in Dubai, and long storyÔÇöthereÔÇÖs a video online about it, but we were shooting out so fast that I think we were doing zero to 200 in about a second, about 6-7 Gs, I was able to process the information, but I was almost on my limit of processing it, it was interesting. ItÔÇÖs the only time I got that sensation (complete shut off) back since my first skydive.

I think itÔÇÖs called sensory overload. ItÔÇÖs where your brain is just receiving too much information and it shuts down. But yeah, you never get it back really, so itÔÇÖs interesting. IÔÇÖve always been intrigued from day one about it all.

 

ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇô Chris on his flow experiences ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇö-

 

Chris:
Just when you see IÔÇÖm in a really good state of flow I generally smile [laughs] because itÔÇÖs just…IÔÇÖm actually really relaxed. So, that jump (where I was smiling)ÔǪ It took us five jumps that day to get to that point.

(When in flow) You can just see more, so I see things off in the distance, the cameraman sitting there, and I saw 15 seconds flying past at about 200 Ks/hour, and I smiled at him as I went past super casually. So, thats everythings sort of Almost happy. [laughs] Like, in this calm trance-like state, but like The Matrix, you know, like Sh**, its actually moving fast but youve just made it all stand still. Thats when I really enjoy it, because everyones like Oh wow, you must get this big adrenaline rush when you do this! and Im like I dont actually. [laughs] I get really, really calm and really tranquil.

I was just doing some stuff out of my comfort zone this last week, and sh**ÔÇÖs moving fast still, but when we get comfortable then everything just slows down and itÔÇÖs just poetic almost; itÔÇÖs beautiful.

You almost ~not~ feel invincible, thats a good word for it. Youre just youre on another level to everyone and everything around you. I mean, thats animal instinct, thats what animals get. Theyre always in flow [laughs].

Another way to explain it is, when we jump off a waterfall ~and~ jump in snow, you ~hit~ that microsecond of a point where everything stops, and if youÔÇÖre in flow, which I generally am, youÔÇÖd stop for a lot longer than a microsecond. YouÔÇÖre falling at the same speed as the water droplets, or the same speed as the snow, and whilst itÔÇÖs only a microsecond you can make it last for seconds, and then it speeds up really quick! ItÔÇÖs exactly like the movies basically.

I mean, thatÔÇÖs what The Matrix did, The Matrix put flow into cinema, in my opinion. I always use The Matrix as my way to try and explain it best to the layman, because it shows it clearly on cinema how it all works.

 

ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇô Chris on his flow limits ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇö-

Chris:
In traffic (driving)…I can ~miss~, I can can ~swirve~ and miss and do whatever, I just process that information really, really f**king quickly. And then ÔÇö one that really stands out, my cousinÔÇÖs a very good motorbike rider, and we did this trail riding ÔÇô super fast, super thin ÔÇô and I couldnÔÇÖt (find flow) ÔÇöit was the first time when I was like ÔÇ£Mother f**ker! I canÔÇÖt keep up with my cousin!ÔÇØ

When heÔÇÖs riding a bike heÔÇÖs in flow for sure, but I couldnÔÇÖt get there ÔÇô IÔÇÖm not good enough on a bike. That was the first time I really understood that I wasnÔÇÖtÔǪ not invincible, and I can’t always find flow. Do you know what I mean? Because you walk around just feelingÔǪ not better than everyone else, justÔǪ like, you f**king own it all the time, you know, and thatÔÇÖs what makes a champion as well; youÔÇÖve got to be able to own it. Confidence and arrogance is a fine line, but youÔÇÖve got to walk that line all the time, you know.

More arrogant when youÔÇÖre younger, more confident when youÔÇÖre older. [laughs]

 

ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇô Chris on his preparation for flow ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇö-

Cameron:
What prep helps you get into flow?

Chris:
For me, training and visualisation for sure.

I mean, I jump all the time, and Im doing extreme sports all the time. When Im speed flying, Im absolutely in flow when Im speed flying as well, but not while Im on skis, because Im a sh** skier; as soon as I take off I can do anything. But training for sure. And I think over time being in mountainous environment and an ocean environment so much you adapt. Do you know a guy called Dean Potter?

Cameron:
Yeah.

Chris:
Very ~advanced~ climber. Hes a good friend of mine now, and watching him in the mountains is just He is a mountain man, you know, because he can adapt, hes done so much time in the mountains that its second nature for him. He doesnt use ropes pretty much ever. He can just climb mountains because hes put himself in that situation. Same as the watermen, your Laird Hamiltons and stuff like that. If I put myself in a situation long enough then the more And also, I do seminars on aerobatics in base, and what I learnt from doing hardcore aerobatics You know, like from 450 feet doing four or five flips or whatever Starting from single flips, learning and then pushing, pushing, pushing, pushing, getting to a point where Like, for us its that we have to, I have to accept my own limitations way earlier than I would like  because I dont want to die, you know  so I dont run at 100% ever really.

But, what IÔÇÖve learnt was that coming back from say doing four-five flips on a jump to doing one flip on a jump opens the world up way more. So, you sort of need to push yourself that harder and see with blinkers on, to then pull back and be able to see the world with open eyes. ThatÔÇÖs really interesting, and itÔÇÖs very hard to tell a 20-year old kid to do that because they just want to go crazy. But after coming full circle I donÔÇÖt generally do all the big flips anymore, I just do the slow rotating ones. IÔÇÖd be upside down, waving at people in a restaurant off a building or something, because IÔÇÖm in the flow. But being able to do heaps of flips first has helped me reach that perspective. So, now my brain expects me to do all that stuff, and then when I ~lay it back~ a bit then the brainÔÇÖs like ÔÇ£Oh yeah, this is much cooler!ÔÇØ [laughs] So, I teach people to not fly with blinkers on with everything they doing, to work themselves up to it and not rush into it. Work themselves up to it, and then when you pull back youÔÇÖre good. But on the other spectrum of that, the guysÔÇöI mean, weÔÇÖve just lost a friend last year. They were pushing, pushing, pushing; their 100% performance became a normal percent. My normal performance is 30-50 percent now, just because IÔÇÖve lost so many friends and IÔÇÖm having such a great life. But these guys are pushing so hard, their normal becomes 100%. And you almost need 100% sometimes, because weÔÇÖre not perfect humans, so when these guys need an extra spike they didnÔÇÖt have it and died from it.

So, I try and teach that a lot as well, because Yeah, running at 100% all the time thats not good for our sport. Its not surfing where you can sort of get away with it, or skating where youll break your ankle or something  we generally die. So, our sport Whilst our sport is actually one of the safest extreme sports out there, when it goes wrong we die  its very simple. Its not a broken ankle or things like that, so its a real tricky one for helping others with that.

 

Cameron:
Yeah, yeah. I mean, its ~powerful~ what makes the skydiving such an amazing sport for flow, in terms of flow, when you think about it. You know, the consequences are so high when youre pushing it that youre almost forced into a state of flow. Your senses engage, the mind has to shut off because it just it cant compute everything thats going on and make those decisions that you need to make, and youre forced into it. What do you do just before you jump off? You mentioned earlier, you said you take a couple of deep breaths and you kind of sit there.

 

Chris:
Yeah. Like, off a cliffplanes are different because its so noisy and youve got to go at the same time, but from a cliff Ill gear up. These days Ill justwell, obviously Ive got a lot of jumps, so it definitely has evolved, but Im always scared, thats one key; Im always making sure I stay scared. Thats one of the key aspects to getting into flow I reckon as well, dont be overconfident with everything. And then Yeah, so Ill gear up and Ill prep myself on everything. So, the weather, my skill level, my gut feeling that day, the object that Im jumping off. You know, because sometimes Ill walk away as well, and sometimes I wont jump stuff that my students jump. You know, I have my own little my own path.

But then once Im geared up Ill double-check, triple-check everything, make sure Im cool, and then that way when I go to the edge the only thing Im scared of is being scared. Thats a key for me as well, because then your mind doesnt have to think about anything else, it can channel in and focus. And then when its time to go Yeah, generally Ill be freaking out, but thats Youve got to turn that negative fear into a positive fear. Thats when Ill take three (deep breaths)because youre going to do it anyway [laughs], so you might as well do it correctly. You know, if it gets too much Id walk away and stuff, but I understand my body and my consciousness.

So yeah, when it is time to go Ill take basically calm down, take three deep breaths, and on the third breath or fourth breath or whatever Ill generally just head off. And that way just before you go youre completely calm, very tranquil, and about to throw yourself into the unknown. But, I mean, if its the unknown unknown then thats another ball game Like, I do know the outcome could be bad, but its a calculated risk, so its a very small chance as such, but it could definitely still happen any jump  Im no more special than anyone else. But once you put yourself in that position and you go then its on, and then youre just hyperaware of everything.

IÔÇÖll always put myself in uncomfortable positions. Like, just recently I was doing this seminar in front of 120 legends of the sport, and then putting myself up to do a song actually at the ~talent night~ in front of the same people.

[laughs]

And I wasÔÇöthey saw me physically shaking with the lyrics, you know, and I still put myself there even though it was f**king terrifying.

But, you know, I like doing that. The song was a good one because I was so nervous and my voice was so sh**ful, and then by the end IÔÇÖve got the whole crowd clapping and singing with me because IÔÇÖd entered flow basically in a different environment and just went into rockstar mode sort of thing, without the talent by the way.

And by the end I was good, and then afterwards IÔÇÖm like f**king ~freaking~ out again, but IÔÇÖd hit that for about a minute of that song, I hit the flow basically. And same with the talks as well, you start out nervous. Dean Potter actually helped me, trying toÔÇöI try to do as much motivational speaking as I can now to overcome one of my biggest fears, and he said ÔÇ£Just learn the first two sentences.ÔÇØ [laughs] ÔÇ£Just memorise the first two sentences. YouÔÇÖve got to start ~say~, and the rest will just pick up in your state of flow basically.ÔÇØ

 

 

 

ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇô Chris on his preparation for flow ÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇöÔÇö-

 

We would like to thank Douggs for his time and insight. We look forwards to following and helping Douggs in his future expeditions.

For more information on Chris Douggs McDougall see our Flow Pros.

 

 

 

 

 

 

Flow Interview – Nick Troutman – World Champion Kayaker

Flow Interview – Nick Troutman – World Champion Kayaker

Articles To Inspire Flow Performance Skills Quotes Sports Stories Tips and Training

Dropping down 70ft waterfalls whilst pinned into a kayak is not for the fainthearted. However, for Nick Troutman, this is what he lives for. Most people would hit the panic alarm, but Nick is so used to getting into flow, he even does emergency adjustments as he is dropping vertically.

Nick Troutman is a world champion and five-time national champion kayaker, filmmaker, and philanthropist. He is highly respected in the river-sport community, and in addition to his competitive achievements has established several first descents while on expeditions in Mexico, Newfoundland, Ottawa, Zambia, Quebec, and the Niagara Gorge. His commitment to the river and exceptional kayaking skills are what drove us to track him down and ask him to join The Flow Centre.

To share some of his key insights we have created this blog so you can get to understand this unbelievable athlete.

 

Nick:
We are driving around, checking out a whole bunch of different rivers and stuff.

Cameron:
Nice! How long are you there for?

Nick:
WeÔÇÖre on the road probably for the next 8 to 10 months, I guess probably 8 months ÔÇô until like October, November. So, driving around in different states and countries and stuff like that.

Cameron:
Yeah ÔÇô tough life! (laughs)

Nick:
Then back to Tennessee. Yeah, itÔÇÖs not too bad. (chuckle)

 

——————————– Cut to more juicy parts ————————————-

 

When asked about whether he has experienced flow Nick’s response was:
Nick Troutman Kayaker

Nick:
Yeah, definitely Рyouve studied it a lot and are very knowledgeable on the whole thing, but what youre describing I definitely have experienced that, and its like Oh yeah.

Then thereÔÇÖs the times where…it seems likeÔǪ like an out-of-body experience, or that like youÔÇÖre no longer in control; where youÔÇÖre like ÔÇ£Whoa, how did that happen?!ÔÇØ

I guess the cool part would be to figure out how to get into it more often, being that whenever IÔÇÖm in the flow state I feel like IÔÇÖm just way better.

 

 

 

——————————– Nick explaining his top flow moments ————————————-

Nick:
I guess one of them It happened several times, but one of them thats has been very memorable for me was Actually, its in the video I think, the highlight reel, where Im running a waterfall, Im in the green kayak and I slow it down in the video. Running that waterfall, we were there with a photographer and we kind of had to wait at the ~lip~ for like a couple of hours for him to get set up. And so the whole time of trying to just sit there calmly and be like Okay, Im not even going to think about the waterfall. I scouted it, I know the line and Im going to nail the line. type of thing, but then I had to really focus on, like zoning out and thinking about something totally different for the next couple of hours Because the longer I scout the waterfall and look at the waterfall, the more I what I call getting demons in my head, but the more I think of different possible outcomes, and then maybe after thinking of all the different possible outcomes a bad outcome comes into my mind, and Im like Well, if Im already imagining bad outcomes then I dont want to run the waterfall anymore. so I try to only think of the good outcomes.

But anyway, it was kind of this weird experience to zone out at the ~lip of this~ waterfall and just think of other stuff. And then when I did run the waterfall, its almost like hard for me to recall, because its like I paddled in, and then I knew the line that I wanted to do  like, get close to the left  but then my boat spun a little bit and I had to do this correction stroke and pull it back while I was dropping down vertical  like, a lot of different boat control happening all at once. And I dont necessarily remember doing any of it, I just did it. There was never like an Oh, sh**! Im not where I want to be, I need to correct this. or Oh, it would be better if I did this. It was just like I wasnt thinking, I just did it all and it was perfect.

Then afterwards I remember being like ÔÇ£Oh, what just happened? How did I do that?ÔÇØ Like, I did a lot of things in a very short period of time and I donÔÇÖt remember trying to do any of them, I just did it all. It was just one of those experiences that I guess I felt like I wasnÔÇÖt thinking, I was just reacting, but reacting so quickly.

That was one of the ones that was super memorable for me, but that happens quite often to a certain extent, where you just kind of react I guess and youÔÇÖre not necessarilyÔǪ not thinking necessarily like ÔÇ£Oh, IÔÇÖm going to put here and pull myself that way, or IÔÇÖm going to do this and that.ÔÇØ ÔÇô you just kind of do it. I donÔÇÖt know if that has to do with ~just several~ years of paddling, or if itÔÇÖs some other thing in the brain, itÔÇÖs kind of like justÔǪ I donÔÇÖt know. ThereÔÇÖs a lot of things that happen that always made me wonder, like ÔÇ£Oh, I wonder how you do that?ÔÇØ or ÔÇ£I wonder ~whatÔÇÖs actually happening?ÔÇØ Because sometimes it feels like my brain just shuts off and I’m better when it does.

It was a very unique experience where just everything felt all connected and I could do whatever I wanted, it was almost like if I imagined it would work. Everything was happening quicker and better and easier, andÔǪ I donÔÇÖt know….a unique experience for sure. ThatÔÇÖs probably the strongest time that I can really remember, but it happens quite often doing anything thatÔÇÖsÔÇölike, what I consider technical whitewater, where IÔÇÖm nervous about a drop or a rapid or something like that, I frequently find that I kind ofÔǪ I donÔÇÖt know, I justÔǪ I guess you can call it like youÔÇÖre in the zone, or youÔÇÖre just more in-tuned maybe because ofÔǪ Whether itÔÇÖs fear or any of that that kicks in, or adrenaline, but sometimes the harder the whitewater the more I zone out and just react a little bit.

I keep saying reacting, and I donÔÇÖt know if thatÔÇÖs the right term or not, but I guess itÔÇÖs just the word that I use because IÔÇÖm not necessarily thinking like ÔÇ£Oh, I want to drive my boat farther this way or that way, or boof the hole or whatever.ÔÇØ I kind of just do it all, almost as if IÔÇÖm on autopilot and a much better paddler is paddling my boat.

 

Cameron:
So what about your freestyle experiences?

Nick:
Yeah, I was going to say that in freestyle its a bit different I dont know if its a different experience or what, or maybe just a different level of the same kind of experience, but theres definitely times where a couple in particular that I can think of where I just had the best rides I could possibly have. I dont know if itslike obviously I was training hard for those events and practicing a lot and was in good physical shape and all that stuff, but at the same time its a little different because you drop into the wave  and youve got 60 seconds or 45 seconds, depending on the competition  and it was just like bam-bam-bam, like I would just do one move right after another, right after another.

I wasnt wasting time, I wasnt doing anything, but I was very aware of where I was on the wave exactly, just super in-tune with my boat, my edge control, the current, the flows of the wave itself, and it just felt like I was almost invincible, the same kind of thing where whatever I wanted to do I could do and I did it. Being that youre under a time limit for the competition, the more tricks you do and the harder the tricks the more points you get, so Yeah, I was able to do essentially everything that I wanted to do.

 

Cameron:
So what routines or preparation did you have prior to the comp that helped you get into flow?

Going into the competition I had a set routine that I wanted to do, but I hadnÔÇÖt necessarily ever completed it in the time frame before or even in practice. But it was just like I could just drop in and do whatever I wanted, and if I was in the wrong spot of the wave or something like that then I could just re-manoeuvre myself and I could get back into the right spot and continue going way quicker than normal. I guess a lot of it is just youÔÇÖre not wasting time thinking, youÔÇÖre just doing, which is pretty cool.

Both of them I was doing a lot of mental practice, just essentially doing the routine in my head. But a lot of it as well was just really trying to stay positive. In both situations there was a lot of pressure and a lot of people Youre sitting in agony with all the rest of the people that are in finals, and theres just this severe amount of stress in the air, you can just feel that everybody is stressed. For me, at the time it was like I had this bubble around me, and I would just be so happy and try to calm everybody else down. Id be like Hey guys, no need to stress! This is so much fun! and just really being super positive about the whole experience, and I think that same positivity then, when I would drop into the ~feature~, there was no stress about flushing or missing a trick or anything like that, and just I dont know, I just had this feeling like I know Im going to do it (Win World Championships).

Maybe thats why I was also so positive at the time, or maybe that feeling came because of the positive outlook beforehand. But yeah, thats Its a very unique experience for sure. Its a little bit like feeling invincible.

 

 

——————————– Nick explaining the disparity between flow and winning ————————————-

Nick:
The first World Championships I ever did, I had a lot of really good rounds where I was winning the whole time, and then in the finals the wave changed for the very last ride, and I had At the time I was undefeated through the whole round, and I had this routine in my head that I was trying to do and I had never completed it, and then in my final ride of the event I completed it and I was just thinking like Oh, Im untouchable  nobody could touch that! But, because the wave changed and it was a little foamier, some of the judges didnt like some of the tricks, and so I ended up in third. I guess its a different thing (flow) to your results Like, sometimes your results dont show, but the flow state still is there, if that makes any sense. Like, I could still tap into that same mindset, even though the results werent the exact same.

 

——————————– Nick explaining why he endures such high risks and continues to love the sport ————————————-

Nick:
It almost forces you to go into these fight, flight, freeze, or flow situations where Like, I was explaining before, once you peel out of an eddy and youre essentially approaching a rapid There is no turning back, youre in the lion den, you have to come out victorious, or something horrible is going to go wrong. Ive always explained when people ask why I love kayaking, I would explain that its either the love of nature, which is definitely a part of it, but a big part of it is the forced decision-making. Youre forced into these situations to make extremely quick decisions. Like, rivers very different than a half-pipe, a half-pipe youve got something solid where youre going to go down and youre going to come back up.

You can run the same rapid 100 times, and because water, the way it flows through a river and stuff like that, its never constant  the only constant is that its constantly changing. So, even though you can pick a line and youre like Okay, this is the line Im going to take. the current might push you a different way, or something might just happen, and definitely A huge part of why I love kayaking is because of that forced quick decision-making, and its almost like the way you were explaining just the four What Im going to call the four Fs, the fight, flight, freeze, or flow situations. Its like youre forcing yourself into these situations to be put into, to choose one of the four I guess.

 

——————————– End of interview ————————————-

We would like to thank Nick for his time and insight. We look forwards to following and helping Nick win Gold in the next championships.

For more information on Nick Troutman see our Flow Pros.

 

 

 

Flow Interview – Tom Carroll – Legend & World Champion Surfer

Flow Interview – Tom Carroll – Legend & World Champion Surfer

Articles To Inspire Flow Performance Skills Quotes Sports Stories Tips and Training Videos

This yearÔÇÖs World Surf League Margaret River Drug Aware Pro 2015 was a truly special event. Not only did I get to spend some time in the Competitors VIP Tent talking with the current best surfers in the world, but I also got to see some insane surfing in some of the best conditions this leg of the tour has seen in years. Some highlights of the event can be seen here.

I met up with Tom Carroll at the event to chat about flow and understand how it has been instrumental to his life and surfing. For those that don’t know Tom Carroll he has been voted as one of the top 10 greatest surfers of all time and been crowned World Champion twice. Even today, at the age of 53, he continues to push limits, searching the globe to ride the world’s biggest swells for his TV series ‘Storm Surfers’. In fact, when I met up with him, he had just taken a huge beating, injuring his hip, at the intimidating Boat Ramps surf break – a break not for the feint hearted, especially on a day like today with massive swell.

After speaking to Nat Young and Josh Kerr about flow, whose responses echoed the sentiment ‘flow – I’m always in flow, it’s what a I live for’, the legend himself talked about how he sees flow and how he plugs-in.

 

tom carroll surfing

Cameron:
Wheres the mic on this down here. Maybe you hold it.

Tom:
“Okay, yeah.”

Cameron:
How did you feel when youÔÇÖre in it (Flow) and what was your top experiences like?

Tom:
“Well, I had my first really clear flow movement experience when I was 13 years of age. Obviously IÔÇÖve done a lot of surfing, to that point, IÔÇÖve been already surfing since seven years of age. I was on a board that I absolutely loved, that really fitted into my body at that time. I was surfing a right-hand point-break which I hadnÔÇÖt experienced before, but it was a very comfortable place to surf, or something thatÔÇöI loved surfing a long wave where I got to do a lot of maneuvres on the wave. It was probably for the first time IÔÇÖd actually ridden a wave where I could do that many maneuvres on, so I was pretty excited. You know, just excited to be out there, loved the board, so I was in a very nice environment. And then, towards the end of the sessionÔǪ I never forget, taking a wave a little bit longer and further down the beach and getting drifted down the beach to a whole new wave.”

“There was no one surfing on it, I was by myself so I got into the flow moment, which I recognised as a moment in time where nothing could go wrong. All my timing was absolutely perfectly in harmony with the wave, perfectly in harmony with my body movements and my timing and my understanding of what was happening at that time. I couldnÔÇÖt get, I could not fall off the board even if I tried. That was a really clear moment, and I can feel it now, I can sense it in my body at this point ÔÇô IÔÇÖm 53 now so itÔÇÖs a long time ago! So yeah, youÔÇÖre looking at 40 years ago I can sort of get that real clear emotional response in my body to that.”

“It was a really lovely feeling, and I just wanted to stay out there and keep in that space, but obviously youÔÇÖve got to come in ÔÇô you know, itÔÇÖs getting dark.”

“It couldÔÇÖve lastedÔÇöI canÔÇÖt remember exactly the length of that time, but because of the nature of surfingÔǪ You know, IÔÇÖm paddling out, looking for waves, feeling whatÔÇÖs the best wave to take, feeling the drop, feeling the move on the wave, and feeling totally in sync with how the wave was moving, and the board and how I was moving on the wave. It probably lasted up toÔǪ You know, I probably came in and out of the experience through that hour or two, but it was long, elongated, suspendedÔǪ a suspended feeling of flow.”

Cameron:
Yeah. Describe when you were actually in it and on the wave, ~sort of~ the highest points.

Tom:
“Yeah, yeah. The highest points was on the wave…

“IÔÇÖd noticed clearly that I couldnÔÇÖt fall off, that I was totally in sync. I could move wherever I wanted to, I knew with a sixth sense that I was able to push it, I was able to push my board to its limit and I could push myself to my limit at that time. There was no separation between me, the board and the wave, it was all connected and it was all kind of one thing, not separated at all; I was linked up

“The future, drawing way off into the future for my second really clearÔǪ and in competition feeling the flow moment was at the Pipe Masters in 1991, I had two day of getting into the flow moment during competition. IÔÇÖd had a big year of competitive experience that year, I was ~fine-tuned~ emotionally, physically, and youÔÇÖd have to say spiritually at the same time. My wife was having our first child and she was full of little Jenna. SheÔÇÖs 23 now by the way and also a ballerina, so sheÔÇÖs felt the flow.”

[laughs]

“In that time at the Pipe Masters I had several moments where I was just doing and not being, or I guess I was being and not doing; I donÔÇÖt know how to separate that. I was in the flow in the moments where my body, the wave, the boardÔǪ nothing was in the way. Everything was in sync, everything was in clear focus and I wasnÔÇÖt thinking things through, I was just doing it and being it. There was a move that was recorded ÔÇô you know, they call it the snap ~heard~ around the world, there was that move that was done in the preliminary round, in the first day of competition, and then I ended up going on to win that event the next day. In the final I scored a 10-point ride, I got a very, very late drop where I couldnÔÇÖt think about it ÔÇô I was just doing it ÔÇô and I was able to sort myself, sort my body movement, sort everything out without having to think about it.”

 

tom carroll surfing

“It was all second nature, it was all sixth sense, and most definitely for meÔǪ That day I was probably at the top of my game. So, yeah. That was two really clear examples of where IÔÇÖve been, but thereÔÇÖs probably beenÔǪ hundreds of moments where IÔÇÖve been felt the flow, and even to the point where I felt it the other day [laughs] here at Margaret River just practicing surfing, just for fun. Yeah.”

Cameron:
Obviously the critical elements of surfing, the big wave and the consequences of it hurting when it goes wrong help us to kind of push into that pocket and out of our brain and into that moment where we find flow. Is there anything else that you feel is a big help to kind of plugging into that? Is there anything that you do, maybe not consciously, or maybe preparation that leads up to it the morning of, or just before youÔÇÖre about to paddle, or when youÔÇÖre looking at the waves before you head out?

Tom:
“I think connecting with the breath is probably the biggest thing for me. Connecting with my breath at the deepest level, like right down into the hip, into the hips and push my breath. Being aware of my breath and doing a number of breaths very, very consciously brings me further into my body, and thatÔÇÖs where I need to be. Quite often my scattered and very short attention span takes me out of my body, so coming back into my bodyÔǪ One particular exercise I used to do whilst competing was a chant, thatÔÇÖs where I used to say the four Ps which was power, precision, performance, perfect. Power, precision, performance, perfect ÔÇô itÔÇÖs like a chant.”

Cameron:
A mantra.

Tom:
“A mantra yeah – whilst I was paddling, so each paddle IÔÇÖd say ÔÇ£powerÔÇØÔÇöas I was paddling out ÔÇ£power, precision, performance, perfectÔÇØ so my mind would remain focused on what was coming up next for me on the wave. On the wave everything sorted out because IÔÇÖve got to respond, I canÔÇÖt think, the waveÔÇÖs always sort of drawing me to the present, I canÔÇÖtÔǪ I donÔÇÖt have time because mother nature aintÔÇÖ going to wait for me. [laughs] SheÔÇÖs not going to wait, so what IÔÇÖve got to do is respond to her so that everythingÔÇÖs sorted out for me once IÔÇÖm stood up on the wave, as long as IÔÇÖm out of the way. So, getting myself out of the way by creatingÔÇöand IÔÇÖd learnt that working with a mantra helped a lot in bringing myself to the moment and keeping myself focused and not attendingÔÇöyou know, drifting off on to what the other competitorÔÇÖs doing, what the scores wereÔǪ I mean, I need to know what the scores were, but thatÔÇÖs secondary to my performance really.”

“IÔÇÖm the only one on the wave, IÔÇÖm the only one on my board, and I need to be connected to that. I donÔÇÖt sort of seek constantly and consciously to always be in the flow, I wouldnÔÇÖt say thatÔÇÖs my main aim, I wouldnÔÇÖt say thatÔÇÖsÔǪ I do look for it for competitive excellence, but notÔǪ itÔÇÖs not something that I always, always go for. I do allow myself space to beÔǪ you know, just to beÔǪ allowing my brain to move and be elastic so to speak. Because I think thatÔÇÖs absolutely crucial for flow.”

Cameron:
How do you think flow can help other people?

Tom:
“I think it helps anyone just to be present in what theyÔÇÖre doing, and this is whatÔǪ this is pretty much another kind of meditative state that we get to where our body and mind and attention is really placed upon the most important thing, and that is right now. So, we get to attend to be a lot more present in our basic everyday task, whether itÔÇÖd be doing the washing-up [laughs], whether itÔÇÖd be opening the car door, whether itÔÇÖd beÔǪ Yeah, just being more present in our relationships, being more present in our life in general. I think ~itÔÇÖll~ help us become more able to make clearer decisions and actually help ourselves and others at the same time. It has such a multiple sort of faceted kind of plus to our lives when we get more present. This has been my experience and itÔÇÖs helped me a lot.

 

We would like to take this opportunity to thank Tom Carroll for his time and words on flow and look forward to hearing his experiences and wisdom on flow in the future.

 

 

Aucamthor: Cameron Norsworthy – Performance Director

 

Flow Interview – Andrew McBride – performance coach

Flow Interview – Andrew McBride – performance coach

Articles To Inspire Flow Performance Skills Sports Tips and Training Videos

Andrew is a performance coach currently working in New Zealand at the U21 Football World Cup. He kindly agreed to an interview with The Flow Centre so we could pick his brains about how he helps top athletes to plug into flow and peak performance.

Andrew starts by quickly reminding us that: ÔÇ£Flow is a skill itselfÔÇØ. It is a state that we can train for and experience in our everyday lives. When we think about flow as a unique mental state that is not combined with notions of luck or some illusive magic space that finds us at random, we can then empower ourselves to find flow frequently in our lives.

If you want to find flow in your performance, practise it in trainingwe need to practice under pressure. His words echo one of The Flow Centres core messages  if we want to experience flow, then we need to train for it.

Andrew has formed a company called Brain Builder, which is built around the philosophy: ÔÇ£Living above the line everyday, day in and day outÔÇØ. He says this phrase means that we need to adopt a ruthless mindset to succeed and leave nothing to the ÔÇ£too hard basketÔÇØ. It is a phrase that we can use to instantly assess how we are doing in any given situation ÔÇô are we above the line?

He states we must replicate the performance environment in our training and life as a whole. Performing at a high level is not a magic switch that we turn on and off..preparation is key..you have to guarantee you are doing the best you can in everything you do. Andrew reminds athletes that we have to be above the line on Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday, not just on game day.

One of the primary issues he says athletes face is performing under pressure. Sound familiar? He says: Pressure is a concept and different for everyone..when you put your whole self into the performance.and approach pressure with our competitive fire  never give up attitude  the pressure reduces.

Its very hard to make it as a professionalso if we are not willing to make our bed in the morning how can we expect to make it in professional sport.

When asked about the availability of flow for the average Joe, he replied: If you put yourself above the line you will be amazed how many flow opportunities come available. He goes on to say: It is absurd to think flow is reserved for the elite few..I see students enter flow everyday. Later in the interview he sums it up concisely: Flow is not a magic tabletit takes practicebut we can experience it multiple times a day.

Screen Shot 2015-04-16 at 5.41.57 pm

Andrew reminds us that play and fun are key to maintaining intrinsic motivation, which is one of CsikszentmihalyiÔÇÖs key principles of flow: ÔÇ£You canÔÇÖt find flow in something you donÔÇÖt enjoy.ÔÇØ

Andrew describes the flow state as a split screen experience of the event. He explains that sometimes we have a ÔÇÿhelicopterÔÇÖ view and see things from a distance, as if we are looking down on ourselves. Sometimes we are the ÔÇÿantÔÇÖ, looking at the minute detail that only an ant digging in the dirt can see.

How can we practically experience flow more frequently in our lives?

Control our breathing. If we can take a moment to investten secondsto control our breathing and really focus on thatwe can control our thoughts a lot better.

He continued to say the second piece of advice he offers is to detach from the situation. Understand whether the pressure is situational pressure or pressure from within. Once we understand the situation better we can gain clarity and control.

What is the difference between good/best performers and great performers?

In a one word answer: mindset. For me, this means an unshakeable self-belief..No matter how the odds are stacked up against us the greats have a never give up attitude..The greats always find a waythey have an inner core and unshakeable self-belief.

ÔÇ£Willingness to put yourself out of the comfort zone and not be afraid of failure builds layers of self-belief.ÔÇØ

We would like to thank Andrew for his time and thoughts on flow and peak performance. If you would like to find out more about Andrew, then please get in contact and we will connect the dots, or you can find him on Twitter: @mcbride_andy

 

 

 

 

Aucamthor: Cameron Norsworthy – Performance Director

 

Flow and Learning ÔÇô When It All Comes Together

Flow and Learning ÔÇô When It All Comes Together

Flow Music Performance Skills Sports Tips and Training

 

The beauty of learning a new skill exists in bringing it all together. There is an almost tangible threshold after which you can suddenly feel your mind expanding and integrating your new skill in a profound way. This is part of the path to mastery and a definite access point to flow.

The process described here is known as ÔÇÿchunkingÔÇÖ. Without being too tangential or abstract about this concept, let me give you an example: To learn a new skill you start with the basic motor patterns. You slowly execute and rehearse these patterns of behaviour day by day until you get proficient at it. That action gets locked in the subconscious as motor memory.

This pattern gets ÔÇÿchunkedÔÇÖ in your brain and accessed as a block of information which is a whole rather than split into its sub-components. When learning to play guitar for example, initially we consciously place each finger on the correct fret in order to play a chord. Slowly as we rehearse placing our fingers in the correct location, it becomes automatic – part of our motor memory. When first learning chord A, we would place all our fingers in the correct position, then strum the chord. It takes a whole lot of brainpower to accomplish this, until slowly it becomes integrated into our subconscious and ÔÇÿchunkedÔÇÖ in to our brain so that whenever we see it coming up on a piece of music our fingers automatically arrange themselves in the correct pattern.

What is fascinating about chunking is that initially complex tasks actually get packaged in a form that is much easier for the brain to handle. The result is less energy expenditure for higher-level tasks. ÔÇÿChunksÔÇÖ can exist in multiple hierarchies. The next chunk for guitar playing could be playing a chord pattern that becomes automatic after rehearsing it a number of times. For example, musicians play chords A, D, E, A in order without having to think about the minutiae of the chord changes.

flow learning

The ultimate experience and gateway to flow occurs when we transcend the motor components of our skills and get into higher-level thinking. We are able to think of the strategy, enjoy the moment and get a greater view of our surroundings ÔÇô if we are on stage we are not thinking about how to play the chords or the song structure.

Instead the experience becomes about engaging with the crowd, feeling the music and communicating with the other band members. Jazz music is a perfect example of this as musicians subconsciously communicate with the band members allowing the improvised patterns to find their own flow. Transitioning from one solo into another becomes an effortless task. Good jazz groups seem highly connected as if they are playing as one. In jazz this is known as ÔÇÿbeing in the pocketÔÇÖ. Scientifically, we call this flow. The greater the challenge and intensity of this experience the deeper the flow experience for these musicians.

In kitesurfing, this happened to me when I finally mastered the kite and board combo to the point where I no longer had to think about it in detail. I was then able to take a meta-viewpoint on the situation. Suddenly I was able to enjoy the wind in my face, the view of the ocean and take charge of the direction of travel. It became a whole new experience. Once you stop having to Think and you are able to just Do, it is possible to let go and naturally flow will occur.

The bottom line is that there are many layers to learning and mastering a skill. It starts with the basic parts and slowly things integrate into chunks of information, to the point where you are finally able to transcend the skill itself and enjoy the activity on a whole new level. Flow comes naturally to those who forget about the How because the conscious thinking part of your brain switches off as you take your skill to the next stage. Keep persisting through the challenging stages when learning a new skill as the real fruits of your labour lie further down the path to mastery.

 

joos-small Aucamthor: Dr Joos Meyer – Flow Seeker
Editor: Cameron Norsworthy – Performance Director

 

 

Whiplash – How To Reach Perfection

Whiplash – How To Reach Perfection

Music Performance Skills Stories Tips and Training

After watching a fantastic film called ‘Whiplash’ I feel almost obliged to inflame a topic that is wide open for debate in many modern day performance arenas. How do we push people beyond their limits?

The film brilliantly depicts the relationship between an ambitious student jazz musician and an abusive, yet highly respected instructor. The student, Teller, is seeking to be more than just a great drummer, but ‘one of the greats’. His teacher, Simmons, equally is only looking to shape and mould the next musical genius. Simmons methods of coaching are outrageous and would send most psychologists into red alert, as his abusive conduct produces heart-broken and dysfunctional teenagers.

His position as Head of Music for the most prestigious school in the country is undoubtedly the reason these students remain in his class despite being physically, mentally and emotional abused in the hope that one day they will graduate as a name to remember. Teller’s remarkable talent is questionably furthered by Simmons who pushes him to his limits and in the process opens up much food for thought and topics for debate surrounding performance.

 

perfect

 

His methods of gutting their confidence, and putting their heads under the guillotine every time they play installs a fear induced motivation that ironically leaves the musicians driven to train harder and faster than they have before. Simmons uses his power to great effect and yields nothing but exceptional results, yet causes the musicians a life of discontent, isolation, and madness. Simmons power-plays back Teller into a corner where he is either forced to perform or crack. Teller like most of us does both over time but at the end his anguish and determination ignites a mind-blowing peak performance just when he needs it most.

The story is fitting with much of the training that we associate happening decades ago and is still publicly rife in places like China, as they arguably abuse young athletes until they reach a level of perfection. The obvious commentary is that these methods are not only inhumane but also unsustainable – the performers are the ones who have to live inside their twisted minds and bodies long after the lights go out.

This approach leaves behind many broken minds and bodies that given alternative training may have blossomed into something quite unique and amazing. However, Simmons argues the point in the film, that anything else will simply not produce the next genius that will be remembered for generations. This strategy of work harder, faster, until you drop, at a lesser extent is undoubtedly a typical go to response for most coaches, even today. I see it on tennis courts, in fitness instructors, and corporations reminiscing a hangover from World War II that never went away. Although coaches have adopted the social norms and limits that counteract these extreme teachings the underpinning philosophy still bubbles underneath the surface – I see fear installed in many students and workers all around me.

As performers or coaches it forces us to answer the question: How do we go about pushing our limits and of those around us? Do we use fear as a motivator, which always seems to get short-term results but continuously fails to generate lasting desire. Telling ourselves to pull our socks up and do better for the fear of looking like a fool or being somehow belittled is no doubt one of our go-to strategies. One that many of us have been brought up with and use on a day-to-day basis. If we are to not use this strategy, and change a lifetime of conditioning, then what do we use?

With flow as our central ethos there is another method, one that produces self-generated motivation, fulfilled performers and doesn’t reduce the bar of excellence that is needed to be ‘one of the greats’. When our focus is 100% committed on being the best version of ourselves, do we expect anything less than hard work, determination and resilience? Absolutely not. If we do then I would question whether we are seeking flow or an excuse to go easy on ourselves.

Being in an intense state of flow requires our mind and body to be completely congruent. That means every fabric of our body being aligned to achieve the same goal. In this space there is no room for conflict, fear or separation, instead we are completely immersed and at one with the task at hand. To attain this state repeatedly, it would seem logical we need to have our minds and body congruently primed in our training and life as a whole. If otherwise, these conflicts no matter how small will act like splinters, which will undoubtedly lead to cracks in the system and when the pressure mounts most likely cause us to crumble.

We can reach flow through fear or hatred by erupting to a point where we snap and either find our true magnificence or a road to destruction. This snapping point tips us into a place where we transcend out of our body and into the zone that is ironically free from fear and anger. The fear can increase our arousal to a point where we are forced to plug into the moment and let go or be crippled by it and fight, fly or freeze. Although this strategy is possible, dare I say, still commonplace, an alternative more sustainable, fun, and contagious option is readily available ÔÇô flow.

 

 

Aucamthor: Cameron Norsworthy – Performance Director

 

Flow and the Success of Entrepreneurs / Executives

Flow and the Success of Entrepreneurs / Executives

Flow Performance Skills Tips and Training

Arguably, one of the most attractive features of working as an entrepreneur is the freedom that comes with it. The ability to choose your own schedule, work as much or as little as you like, and make your own decisions can result in amazing output or lead to disaster depending on the individual approach. One of the most important elements in how this freedom is used appears to be productivity.

In the entrepreneurial world, efficient time management and the ability to delegate or collaborate is well documented to yield great effects. There are countless productivity hacks, and tools to help you organise every second of your day. Yet there is an important element missing in all of this. What do you do in the actual moment you are supposed to be productive? ItÔÇÖs all planned out, the calendar is set up, the to-do list notifies you what needs to be done. But in the moment of execution, are you being as productive as you could be? Is your actual output in the moment at itÔÇÖs full potential? In addition, as an entrepreneur we constantly face curve balls almost daily, which make our previously well organised plans redundant ÔÇô what happens then? And how can we make the most of our time in these situations? business

How we perform during these periods is critical. Thankfully, for all entrepreneurs listening there is a way for us to maximise our potential for success through the improved productivity that comes with flow. Flow, is a concept that can provide some of the answers. Hungarian professor of Psychology Mihali Csikszentmihalyi initially described the notion of flow in his seminal work, Flow: The Psychology of Optimal Experience, where he describes it as a state of complete absorption with the activity at hand and the situation, a state in which people are so involved in an activity that nothing else seems to matter. Since his initial description and exploration in the 1970s, flow has been utilised in elite sports and in the offices of top executives alike due to the profound effects it has on performance. A 10-year McKinsey and Co. study on flow and productivity found top executives 500 % more productive when in flow. Lets just take a moment..that is five times more productive. Meaning if we worked all day in flow on Monday we could take the rest of the week off. Any takers?

Being in a flow state or ÔÇ£in the zoneÔÇØ allows for deep concentration and ultimate immersion in the task at hand. This allows for complete attention on a subject and maximises productivity and output in a given time frame. This is important for the entrepreneur or CEO who must not only manage what they do with their time, but also maximise the benefit of the actual time allocated to various tasks.

Time management is about prioritisation and what you do when. But flow is about the how you do what you do. Using flow in your day-to-day means devoting 100% of yourself to the task at hand. Flow is about doing one thing, doing it undistracted, and doing it well.

Productivity is not only vital for the individual but for teams, and entire organisations. In Forbes magazine, James Slavet of Venture Firm Greylock Partners suggests a new metric to measure a great start-up team. He calls it the ÔÇÿFlow State PercentageÔÇÖ, which is the proportion of the day employees are in flow as a measure of performance. He argues that every team comprises of jobs that require a lot of brain power and that our current work scenarios are not providing the optimal platform to maximise efficiency and output. Ideally 30-50% of a productive day should be spent interrupted. Things such as emails, phones, meetings, colleagues all snap us out of flow when we are really starting to get things done. Studies show that getting back into flow once interrupted takes 15-20 minutes, if possible at all. James Slavet challenges us to measure this in our teams. How much time is spent interrupted and in flow in a day? Divide this by the number of work hours and this is your flow state percentage.

So, how do we minimise distractions when you are in productivity mode? John Reed, the former CEO of Citigroup kept his office door closed from 7am to 10am every day, refusing to take any calls or visits until he opened his door. Follow Reeds lead and get creative. Set up your working environment for yourself and your team to achieve maximum output and flow. Look to find flow on a daily basis or get a flow coach. The difference between finding flow frequently or not whilst working, not only is the difference that makes the difference to success, but also makes the job a whole lot more fun.

 

 

joos-small Aucamthor: Dr Joos Meyer – Flow Seeker
Editor: Cameron Norsworthy – Performance Director

 

Should We Always Be in Flow?

Should We Always Be in Flow?

Flow Performance Skills Sports Tips and Training

Flow is a place where external and internal elements align to create a state of peak performance. Purely by definition it is impossible to always be in flow.

For some, flow is an elusive state of being that they may have experienced once in their lifetime. It all happened so fast, was so blissful and almost indescribable in nature. And somehow it has been impossible to get back into. Often in these cases, it was pure luck that the necessary ingredients were available to create a flow state in that person. So in some ways you could argue that on a population level, flow is a statistically rare event. But itÔÇÖs not to say that we canÔÇÖt be in flow more often using the concepts applied through The Flow Centre.

Everyone goes through cycles of expansion and contraction. Taking a close look at your day IÔÇÖm sure you can pinpoint the times you are the most alert, most active, and most productive. You could also pinpoint the times you feel more relaxed and calm. The same cycles appear on a weekly level where you might feel different on a Monday compared to a Friday. Now consider the seasonal changes in your state of mind. Winter is different from summer. These are all part and parcel of the normal ebbs and flows of life. Hence itÔÇÖs not a reality to expect flow all the time, but we can definitely increase our chances by creating the most optimal platform during those times our mind naturally expands.

Using concepts from The Flow Centre it is possible to do two things. First is to increase the number of opportunities to access flow by creating the conditions to cultivate it. The second is to maximise the number of times we enter flow by seizing these opportunities when they present themselves.

So do we always want to be in flow?

As a flow seeker and a person who also seeks balance in life, for me personally the answer is no. For me, flow is an amazing state of being that is a very important component to a fulfilling life. It is these peak experience, which give life purpose and meaning. But at the same time I value and understand the importance of down time.

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We all need time to recharge, centre, and collect our energy. In fact this is a huge component to creating the foundations of flow. If our minds and bodies are constantly drained of energy, how could we expect to enter peak performance states? Part of the balance is to nurture important parts of life including relationships, physical health, emotional health, career and personal goals. This takes down time. ItÔÇÖs ok to cycle through periods of contraction. Often itÔÇÖs important to let nature take its course and allow the process to happen. Consider these times as the foundations for your next expansion, which you can use as a launching pad to get more flow down the line.

 

In summary, getting caught up and anxious that we might not be feeling 100% all the time is counter productive. Expand, contract, and join us at The Flow Centre to get more flow in your life.

 

 

joos-small Aucamthor: Dr Joos Meyer – Flow Seeker
Editor: Cameron Norsworthy – Performance Director